Given the pointlessness and widespread death and injury caused by the war, a reaction soon occurred in filmmaking within the major countries involved. David Andrew Leo Fincher (born August 28, 1962) is an American film director. This will become part of the drama’s problem, because the two men will be charged with coming to Chicago to stir up violence.  In a 2010 interview, Fincher said, "you don’t have to love all of your co-collaborators, but you do have to respect them. These movies are written through and through, and in distinctive ways. Dellenger: –non-violence. . Needless to say, the possibility of buying these books in local bookstores added joy to my college years. "The highway patrol had been following our school buses", he recalled. Although Thorne has rented a room over a tavern owned by people sympathetic to the black couple, the scandal leads the villages to demand that Thorne be evicted, and he leaves town. MacPherson made a few films, most notably the short silent feature Borderline. All this personal material made me think that perhaps we should go beyond treating Tati as an isolated artist, as if the local or global film industry had no impact on him, or him on it. Following the montage of haters with images of innocence casts a melancholy pall over these fresh-begun lives. For other uses, see. The time structure is a little more complicated in Charlie Wilson’s War. But Hurwitz and his team shot a lot of new material as well, with an eye to bringing out the postwar significance of their theme. The block most saturated with flashbacks is the third, the one launching the computer that brought Apple to marketplace triumph. His biggest commercial successes are The Curious Case of Benjamin Button (2008) and Gone Girl (2014), both of which grossed more than $300 million worldwide, with the former earning thirteen nominations at the Academy Awards, and eleven at the British Academy Film Awards. Unfortunately it has no subtitles. He has admitted his fallibility (he was wrong about the Time cover), he has realized what he lost in challenging and trashing Sculley, and he’s ready to move to the next challenge (“music in your pocket”). Others have been critical however, "[Fincher] wants puppets. David Cronenberg's Maps to the Stars gives us a satirical look at the world that surround Hollywood society with several controversial scenes that, sometimes, do not impress as expected. In 1930 he made Studies No. The filmmakers went so far as to end the film with the hero reunited with his French love, but having lost a leg in the combat.  Writing for the USA Today, Claudia Puig praises the "graceful and poignant" tale despite it being "overlong and not as emotionally involving as it could be".  Writing for Sight and Sound, John Wrathall said it "stands as the most complex and disturbing entry in the serial killer genre since Manhunter" and Roger Ebert opined that Seven is "one of the darkest and most merciless films ever made in the Hollywood mainstream. The dispersed layout of some of these book pages is like a monitor with many screens open.  Scott adds, "Mr. Fincher creates a persuasive ambience of political menace and moral despair". Arguably, shortcomings are minimized by a Massive book’s sheer footprint. The range runs from sheer bluster, as when he tries to overwhelm Erica, through awkward acceptance of class ambition when he meets the Winkleviii, to evasion, threats, and bumbling efforts at friendship. Most of these essays are by Jonathan Rosenbaum, who worked with Tati, while Jacques Kermabon and Alexandrine Dhainaut contribute background on the early films and the unfilmed projects respectively. Moholy-Nagy made a film of the Modulator in action, with shifting solid shapes and shadows. Fincher said, "Handheld has a powerful psychological stranglehold. So, after Clark has testified (and sees his testimony suppressed by Judge Hoffman), Tom can redeem himself. They will show the Chicago Democratic convention to be staged, as Walter Cronkite says at the end of the opening montage, in “a police state.”, Although Tom’s and Abbie’s factions communicate a little before the events, it’s the pressure of circumstances in Grant Park that pushes them into dispute. They push the action forward, recall earlier moments, and characterize the combatants while also yielding some laughs. Attorney William Kunstler discovers that he has a surprise witness to call. The courtroom scenes don’t begin until about an hour into the film, and they alternate with strategy sessions among the legal team and the defendants. This prologue, mixing scenes from phases of Molly’s girlhood, characterizes her as having tenacity, determination, and not a little rage at her dad. 36 b/w illustrations. That quarrel in the past is tightly crosscut with their confrontation in the present, and as the tension builds one man in the present is replying to an objection in the past. . The small-format entries in Anthologie du cinéma were published by L’Avant-scène, a company issuing texts of plays on a bimonthly basis. Thanks to a hidden camera, that newsstand becomes a sort of gathering spot, a place where people might encounter uncomfortable truths. "I enjoy reading a script that you can see in your head, and then I enjoy the casting and I enjoy the rehearsal, and I enjoy all the meetings about what it should be, what it could be, what it might be", he said. , In 1999, Fincher was shortlisted by Columbia Pictures, as one of the potential directors to helm Spider-Man (2002), a live-action adaptation of the fictional comic-book character of the same name. Yes, Ozu made gangster films, including the wonderful Dragnet Girl, the film that might lead me to make my exception in the 1933 entry. His presence was foreshadowed by swooping aerial shots of the beginning. David did his part in promoting Duvivier by contributing a video analysis of his 1941 Hollywood romance Lydia on The Criterion Channel. Let’s distinguish dossiers from critical appreciations. Her change from a kind attitude toward Rath to cruelty and indifference is logical, given his passive decline from professor to clown, but it is presented too abruptly. | Comments Off on Books worth fondling, if you can lift them: The rise of the Massive Auteur Monograph, have comments If they’re like Ives symphonies, this is more Mahlerian. “If we won, why are we unhappy?” the narrator asks at the beginning. The shot/reverse shot technique is a schema, but so is the framed flashback, the four-part plot, and the strategy of beginning your action at a point of crisis.  Seven was positively received by film critics was one of the highest-earning films of 1995, grossing more than $320 million worldwide. , In 2015, it was announced that Fincher and Gillian Flynn were working on a "modern take" of the 1951 Alfred Hitchcock film, Strangers on a Train, for Warner Bros., Fincher did not attend film school, but he cites Alfred Hitchcock as a major influence, as well as filmmakers Martin Scorsese, George Roy Hill and Alan J. Sorkin is worth studying, I think, as a very skilled craftsman. David Andrew Leo Fincher (born August 28, 1962) is an American film director. The slightly tense nerdery, the OCD fixation on lists and details, the deadpan naïveté of the films–all are replicated in the very texture of the book. The Center for Visual Music has brought out two DVDs with selections from his films, digitally remastered and with intriguing-sounding supplements.They are sold only through the CVM. Camera movements are also synchronized to the beat of the music. He didn’t distinguish between the personality of the actual flesh-and-blood filmmaker and the “personality” projected in the work. So the problem play becomes a progress toward understanding political power. She’s cute but has a distinctly bratty streak so common to Ozu children. Actually, in the West we have the same situation. , Some regard Fincher as an auteur filmmaker, although he dislikes being associated with that term. How does the filmmaker’s personal angle of vision transform the thematic material? Who else picked up on Anderson’s debt to Peanuts and Star Wars? With one notable exception, Hollywood’s important auteurs made no films or minor films or films that don’t survive.  Set in Missouri, the story begins as a mystery that follows the events surrounding Nick Dunne (Affleck), who becomes the prime suspect in the sudden disappearance of his wife Amy (Pike). Born in Denver, Colorado, Fincher developed a passion for filmmaking at an early age. In stage tradition, Abbie is the raisonneur, the explainer. The question is answered at the end: “There was not enough victory to go around.”. 299 pages, 11 × 8.5 inches, 441 color illustrations 1930 was also a grim year, with the Depression well established and nowhere close to its end. The old theatre adage claims that dialogue needs to do one of three things: advance the action, delineate the characters, or add humor. So there’s a little of Abbie in Tom. Describing their working relationship with Fincher, they said he "was not hanging over our shoulders telling us what to do"; the only direction he gave was to make the music sound as great as the score from The Graduate (1967). A recent blog entry on the subject takes The Hunt as an example. The opening of the film had shown Paul as a student being told of the glories of war and rushing off to sign up. Her poetic musings reassure the newborn babies that they have a place here; she welcomes them to earthly love. “Lisa made a painting on the Mac,” he says thoughtfully. Its bold pictorial design, the creation of Ian Cameron, carried over to “Movie Paperbacks,” which launched in 1966. Then the present-day action starts, as usual at a crisis. In a burst of pique, he turns a blog into a page that denounces her and asks readers to rate local women. No luck; maybe he can be a porter? Her rise in the world of underground gambling is intercut with present-time scenes of her consulting an attorney to take her case–a risky proposition, since her customers include Russian mafia. A second lawsuit is in progress, this time from the Winklevoss twins, and a second string of deposition scenes. (Cronkite said so too.) The public!” There is an objection that this is not the way to end an operetta and the curtain opens to reveal the entire cast as well as additional dancers and singers performing a lively and somewhat chaotic grand-finale number. A pastiche ad for The Dollar Book Club (in Garden City, of course) offers for a mere $1 the library books Suzy has swiped in Moonrise Kingdom. Richard Schultz goes along with orders to prosecute, knowing that the case is trumped up. The AC gag is more elaborate in the screenplay; a technician fiddles with the controls, making the undulations vary until the adjustment is right. So Abbie takes the stand. Certainly it has the glossy, expensive studio look that Westfront 1918 lacks, as in this scene, with its perfect three-point lighting carefully picking out each figure. As in A Doll’s House and Ghosts, the action starts at a point of crisis, and offstage events leading up to it get revealed through dialogue, sometimes called “continuous exposition.”. 71 pages, 11 × 8.5 inches “Marketing’s been lying to me?” In the book Director's Cut: Picturing Hollywood in the 21st Century, Fincher blames the producers for their lack of trust in him. to Amazon | go to The Frodo Franchise blog], Textbook written with Kristin Thompson and Jeff Smith. Now, restored and recirculated by the enterprising Milestone Films, Strange Victory has lost none of its compassion and righteous anger.  This quickly brought Fincher to the attention of producers in Los Angeles, and he was soon given the opportunity to direct Rick Springfield's 1985 documentary, The Beat of the Live Drum. It was scarcely distributed and, though some reviews praised it, it was accused of Communistic sympathies. Videodrome - In David Cronenberg's confusing masterwork there are several whipping scenes of women. on animation and on directors like Joseph Mankiewicz (who’s much more deserving of a biopic than his brother, in my view). “You know–Joanna–boundaries.” He directed plays and designed sets and lighting after school, and was a non-union projectionist at a second-run movie theater, as well as a production assistant at the local television news station, KOBI in Medford, Oregon. Sorkin could have picked this testimony as his point of attack for opening the film, then flashed back to the origins of the suit. The new auteur bent is especially evident with Matt Zoller Seitz’s The Wes Anderson Collection (2013).  Fincher admits he has autocratic tendencies and likes to micro-manage every part of the production. In England, a new generation of critics caught the auteur wave. The post went viral and eventually attracted the attention of the Marine Corps, which Pryor had just joined. Sorkin delivers it consistently. At the same time, artisanal skill in a robust tradition is intrinsically worth analysis. | Comments Off on The ten best films of … 1930. The trial schema is a good example of the crisis structure. None of these books boasted big production values. What next? , In 2001, Fincher served as an executive producer for the first season of The Hire, a series of short films to promote BMW automobiles. In one of the episodes for Mindhunter, it was reported that a nine-minute scene took eleven hours to shoot. Fincher later said of his pitch, "I went in and told them what I might be interested in doing, and they hated it". A History of Violence is a 2005 American action-thriller film directed by David Cronenberg and written by Josh Olson.It is an adaptation of the 1997 graphic novel of the same title by John Wagner and Vince Locke.The film stars Viggo Mortensen as the owner of a small-town diner who is thrust into the spotlight after confronting two robbers in self-defense, thus changing his life forever. In a chilling visual refrain, the happy American toddlers are compared to troops of children marched along barbed wire. Abbie: –to get laid by someone you just met. Right-wing politicians and agitators, keen on power and uncommitted to principle, are ready to fall in line behind a leader if he might win. The screenplay was written by Aaron Sorkin, who adapted it from the book The Accidental Billionaires. The motif of the clown, implied to be Lola’s degraded ex-lover, is heavy-handed. Considering them alongside the Seitz books, we can spell out some conventions of the new model–some inherited from classic auteurism, some in the process of emerging. For now, here are my picks. The antagonists are the government prosecutors and Judge Hoffman. In various ways, then, these books are redefining critical writing. Start with auteurist criticism itself, as practiced in France and Anglophone countries. “What does Bill Gates have against me?” Having already read his book on Hitchcock, unique limited editions of photography and painting, Helen McCarthy’s beautiful volume on Osamu Tezuka, “I was always very resistant to the notion of biography as it applies to criticism.”, Malcolm Turvey’s monograph on Tati and comic modernism. Instead, we see Russian and American soldiers fraternizing, and included in this mix is the black pilot, smiling serenely in his cockpit. Being told that the daughter will only survive if she lasts through the night, the Detective agrees to stay and settles in to guard his prisoner. On a happier note, it is also time for a little distraction in the form of my annual year-end round-up of the ten best films of ninety years ago. The film plays out the familiar Hollywood double plotline of love versus work: political pragmatism threatens the President’s affair with a lobbyist for environmental reform. Athletics, it turns out, has a lot to do with poker. Nine million dead haunt this landscape. Isolated by his betrayal of the one person close enough to have been a friend, he’s checking Erica’s Facebook page. The American counterpart of Pabst’s film is Lewis Milestone’s adaptation of All Quiet on the Western Front. When I told a friend that I thought Spielberg was an exceptionally skilful filmmaker, she agreed but added: “Too bad he has nothing to say.” An auteur is held to be an artist, not just an artisan, and an artist gives us something meaningful in and through the artwork. , In 1990, 20th Century Fox hired Fincher to replace Vincent Ward as the director for the science-fiction horror Alien 3 (1992), his film directorial debut. And there are those of us who sincerely look upon the ruins today, as if the old concentration camp monster were dead and buried beneath them. Yet it doesn’t sacrifice the intimacy and detail of the Massive ones. For one thing, snappy talk. The long flashback concludes and the film’s final sequence returns to the ceremony, with a replay of a grinning Charlie getting his award. He directed videos for various artists including singer-songwriters Rick Springfield, Martha Davis, Paula Abdul, rock band The Outfield, and R&B singer Jermaine Stewart. In the meantime Denise, fascinated despite herself with the glamor of the department store, gets a job as a model there. For instance, in a past scene, after an ally of the twins tells of Mark’s successful webpage, the narration cuts to the opening of the Winklevoss case’s depositions, and then back to the brothers recruiting Mark to work on their project. Fincher was the co-founder of Propaganda Films, a film and music video production company. It was his influence that pushed me to experiment and got me as far as I did". The first big attack on their position turns out to be friendly fire from their own artillery. Sorkin has layered his plot within several time zones: present, immediate past, and distant past, with the earliest one including scenes scrambled out of chronological order. No doubt it’s a matter of taste, but I find Marlene Dietrich’s performance here more attractive than in Morocco–and it is, of course, central to the film’s appeal. The story’s crisis is over; the plot starts at the epilogue. Although it’s heavy-duty (2.6 pounds), it doesn’t need a big form factor.  Initially, many critics thought the film was "a violent and dangerous express train of masochism and aggression. .  Rooney Mara had to endure ninety-nine takes for a scene in The Social Network, and said that the director enjoys challenging people. The crisis structure in The American President is presented as a race against time to line up support for two White House bills. Perhaps Shone would have thickened the traditional auteur study in these ways without the existence of the more extroverted Monographs. Still, in volume 4 in particular, documents drawn from the archives often illuminate Tati’s creative process. The shapes and movements are engaging in themselves, but there is also, I think, a subtle and amusing progression toward more odd and even absurd-looking mechanisms. Fischinger’s work has never been easily or completely available on home video. He brings a dark look to the film, as in these shots of Rath in dignified professor mode and later onstage in a caricature of his former self. Now we’re back to the present, and he’s looking for work. , Darius Khondji and Jeff Cronenweth have served as cinematographers for Fincher's films. Gaining further experience, he became a visual effects producer, working on the animated Twice Upon a Time (1983) with George Lucas. In films that don’t rely on chases, fights, explosions, time travel, fantasy, or extraterrestrials, what can hold your interest? Although the film’s credits emphasize that it was shot on location, including the interior of a coal mine, clearly nearly all the footage was shot silent and had a “symphony” of sounds woven together and laid over it. Early court scenes show Tom annoyed by Abbie’s antics, but neither is really an antagonist for the other. Posted in Directors: Murnau, Directors: Ozu Yasujiro, Directors: von Sternberg, Experimental film, Film comments, Film technique: Sound, National cinemas: France, National cinemas: Germany, National cinemas: Japan, Silent film | open printable version Low on gas, they are inspired to start their own filling station. Once Shuji arrives at home, Mayumi gets him to confess what he has done. Once more a theatrical premise has been turned into classically constructed cinema. Judge Hoffman has offered Tom clemency before he makes his final statement. (Scads of university press books have taken the auteur line.) For instance, one of my favorite gags takes place when the air conditioning is switched on and we see the skin on a woman’s back ripple.  He does not normally use hand-held cameras during filming, instead preferring cameras on a tripod. So now only the positions of Tom and Abbie remain undefined. What has happened in the meantime? Price $895 until 31 January 2021, thereafter $1000. We have never reposted an entry before, but given recent events in US history, and the celebration of Martin Luther King’s legacy yesterday, and the impending inauguration of a new president tomorrow, we are re-running this entry, unrevised, from nearly four years ago. Even if these books weren’t bargains, I think we need to consider them an important development in film culture. It would be easy to dismiss this big Hollywood production and ultimate Best Picture winner at the Oscars as a slick commercial venture. " Fincher once stated, "I think people are perverts. If cinematography were the main criterion, Morocco would have been the choice. Cinema One books were either through-composed monographs, like Geoffrey Nowell-Smith’s entry on Visconti (1967), or interview books like the vastly influential Sirk on Sirk (1972). Seitz’s artwork includes color drawings by Max Dalton that reinterpret the inhabitants of Wesworld as wispy cutouts, arms hanging down, as if in a police lineup or a paper-doll sheet. The famous opening juxtaposes a peasant girl’s face with a large sunflower. But the others are left dangling, to be revisited, and we are looking forward to that. You know, the way theatre used to be. The old Kino disc groups it with Pudovkin’s The End of St. Petersburg (the cropping of which I mentiooned in the 1927 entry) and Chess Fever. Still, in my opinion the film’s pluses outweigh its minuses. This is the only one of the anti-war films I know of that portrays this sort of social indoctrination as a crucial cause of the horrors of war.  He also favors the use of wide-angle shots to showcase a character's environment. Interpretive asides can be attached to sidebars or even the stills parked along the main text.  The film received an Academy Award nomination for Best Visual Effects. The breaks and discordances are less evident, but the range of ambition remains. Its prosperity and technical sophistication are evident in the large sets constructed for Sous les toits. *Criticism as creation. The opening sections began in the past, but the ending leaves us hanging in the present. “None of this has anything to do with poker,” a title ironically informs us, but it’s a tease. Sorkin carves out two major factions. If there were a simple progress in Sorkin’s exploration of the menu of options, you’d expect that The Social Network would come later than it does. Where do we put Deineka, recently noticed as no mere Socialist Realist hack, or Shostakovich and Sibelius? Beginning in 1967 with Richard Roud’s book on Godard, that series followed the model of the Movie paperbacks in integrating stills and texts. , Fight Club was scored by The Dust Brothers, who at that point had never scored for a film. . The series is another example of institutional investment in a festival permitting de luxe publishing. The obvious example is his reliance on “walk and talk,” the long backward tracking shot covering characters striding toward us and spitting out dialogue rapidly. Only the latter survives.  However, Utopia was soon picked up by Amazon Studios with Gillian Flynn as creator. Size matters. But maybe the Archive releases aren’t really designed for normal reading. I've maintained that. At least we don’t face that long a stretch of down time with the current “president.”. We can see how the Mon Oncle gag with the spiny foliage was obsessively elaborated in advance. Seitz, for instance, emerges from his books as a voracious, encyclopedically knowledgeable pop-culture maven. That motif is dramatized when, at first indifferent to five-year-old Lisa, Steve uses her as a demo to show Chrisann what the Mac can do. The winners, it seemed, hadn’t repudiated the bigotry of the losers. Later the film’s narration offers less a study in how his mind works than a portrait of how he handles people–his social survival strategies. Bellocchio, Ruiz, Fassbinder, Jarman, Robert Kramer, Akerman, Parajanov, Rocha, etc. I don’t find an account of the provenance of the published PlayTime text , but if this is something like a late shooting script, Tati made enormous alterations, usually simplifications, during filming. L’Argent showed the harm done by large banks, while Au Bonheur des Dames deals with the damage wrought on traditional small shops by the rise of huge, corporate-level department stores. CS1 maint: multiple names: authors list (, Primetime Emmy Award for Outstanding Directing for a Drama Series, critical analysis from academics and film critics, List of awards and nominations received by David Fincher, Academy Award for Best Supporting Actress, "The Membership > Obituaries: Howard Kely "Jack" Fincher", "Forrest Griffin to show his police brutality", "David Fincher: A Film Title Retrospective", "David Fincher: "Awards are just icing on the cake, "The Work of David Fincher: Introduction, Commercials, Music Videos, and 'The Beat of the Live Drum, "Ranked: Music Video Directors Turned Film Directors", "Director David Fincher Takes On The Girl With the Dragon Tattoo", "Best To Worst: David Fincher's Complete Music Videography Ranked", "After George Michael's Death, a Look Back at His Most Iconic Moment", "What Went Wrong With Alien 3, According To Tywin Lannister", "The 65th Academy Awards (1993) Nominees and Winners", Academy of Motion Picture Arts and Sciences, "Transcript of the Guardian interview with David Fincher at BFI Southbank", "David Fincher returns to his Vogue-ing video days in new comedy", "The American dream unravelled: 20 years of Fight Club", "David Fincher's Spider-Man That Never Was", "David Fincher Reveals What He Had Planned for His Take on SPIDER-MAN", "Clive Owen Returns as 'The Driver' in Neill Blomkamp's Short Film 'The Escape' – Watch Trailer", "David Fincher's Rendezvous with Rama Officially Dead | FirstShowing.net", "Ed Ulbrich: Behind the extraordinary visual effects of Benjamin Button", "States' Film Production Incentives Cause Jitters", "The Curious Case of Benjamin Button (2008)", "See 'Benjamin Button,' just don't try to guess his age - USATODAY.com", "Confirmed: Eisenberg, Timberlake and Garfield Cast in David Fincher's The Social Network", "Casting Notes: Selena Gomez in Teen Rom Com; The Social Network Gets New Kids; The Whistleblower Gets Proven Talent", "Golden Globes: Colin Firth crowned while The Social Network wins lion's share", "The Social Network movie review (2010) | Roger Ebert", "Screenwriter Steven Zaillian Talks The Girl With The Dragon Tattoo, Sequels, and How He Might Direct the Remake of TimeCrimes", "Trent Reznor Scoring David Fincher's Version of "The Girl With the Dragon Tattoo, "The Girl With the Dragon Tattoo | Film review", "Netflix Launching Entire Run of David Fincher's 'House of Cards' in One Day", House of Cards | Academy of Television Arts & Sciences, "David Fincher's 'Utopia' With Rooney Mara Is Dead At HBO, 'Videosyncrazy' Might Be DOA Too", "Ben Affleck To Star In David Fincher's 'Gone Girl' For Fox/New Regency Before Directing Warner Bros' 'Live By Night, "Author Gillian Flynn says filming 'Gone Girl' went much better than expected", "2015 Golden Globes: full list of nominations", "Mindhunter trailer: David Fincher returns to Netflix with new drama", "Paramount's Jim Gianopulos on Starting Over, His Fox Exit and Reviving a Struggling Studio", "Paramount Pulls The Plug On David Fincher's 'World War Z' Sequel [Exclusive]", "Exclusive: How David Fincher and Tim Miller's 'Love, Death & Robots' Made the Leap to Netflix", "David Fincher, Gary Oldman Team for Netflix Biopic on 'Citizen Kane' Screenwriter", "David Fincher's 'Mank' Brings Old Hollywood Thrills -- and Eerie Political Chills", "David Fincher's Strangers On A Train remake latest", "David Fincher's 26 Favorite Movies: See His Top Picks", "David Fincher: 'Moviemaking is a rat f*ck, every day is a skirmish, "10 Modern Movies Influenced by Hitchcock", "Seven: Sins of a Serial Killer - The American Society of Cinematographers", "David Fincher's Misdirections: The Movies Inside His Movies", "Rooney Mara: David Fincher Made Me Do 99 Takes of a Single Social Network Scene", "David Fincher made Mindhunter cast shoot one nine-minute scene for 11 hours", "Producer Says David Fincher Is Averaging 50 Takes Per Scene Shooting 'Gone Girl, "Film's cinema comeback is driven by nostalgia, not logic", "There's a surprising amount of CGI in David Fincher's films", "How the director of The Social Network makes his movies look like games", "Watch: Video Essay Breaks Down How David Fincher's Camera Work Connects You to His Characters", "Watch: What Makes David Fincher One of the Best Music Video Directors of All Time", "The Directing Techniques of David Fincher", "From 'Fight Club' to 'Gone Girl,' How Does David Fincher Use His Own Auteur-Style to Frame Distinctive Characters and Relationship Dynamics? 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